|since November 2016||Doctoral Candidate, Graduate School of North American Studies, Freie Universität Berlin|
|December 2011||Magistra Artium (Master of Arts) in Modern and Contemporary History, Romance Studies and Educational Studies, University of Cologne|
|December 2010||First State Exam in History, French and Educational Studies, University of Cologne|
Licence III (French equivalent of Bachelor) in History (Histoire), and Licence III in French Literature and Linguistics (Lettres Modernes)
|August 2001 - January 2004||Apprenticeship Bank Clerk, Kreissparkasse Köln / Savings Bank of Cologne|
|October 2015 - September 2016||Lecturer, John F. Kennedy Institute for North American Studies, Freie Universität Berlin|
April - September 2015
|Researcher, John F. Kennedy Institute for North American Studies, Freie Universität Berlin|
|November 2010 - January 2015||Manager of Sales Administration, Wirtgen France, Paris|
|March 2008 - December 2010||Student Assistant, Department of History, University of Cologne (Didactics of History, Modern and Contemporary History)|
November 2016 -
|Doctoral Fellowship, German Research Foundation (Deutsche Forschungsgemeinschaft)|
|July - November 2016||Research Grant, German Historical Institute, Washington, D.C.|
November 2015 - January 2016
|Research Grant, German Historical Institute, London|
|2004 - 2010||Scholarship for Integrated Franco-German Studies of History, French Literature and Linguistics at University of Cologne and Université Charles de Gaulle Lille III, Université Franco-Allemande de Saarbrucken / Deutsch-Französische Hochschule Saarbrücken|
One of the first associations that comes to one’s mind when talking about punk is the famous slogan of the Sex Pistols: “No future!” With their song “God Save the Queen” as well as their rebellious, nihilistic and anti-establishment attitudes, the English punk rock band inspired a whole generation. For some of its members, punk was over as soon as it was labeled as such, but recent examples show that punk is not dead. On the contrary, since the late 1970s, punk music and lifestyle became a global phenomenon which followed its own political agenda(s).
A famous example for this development is the contemporary Russian (female) punk collective Pussy Riot. On the eve of the 2014 Sochi Olympics in Russia, Madonna welcomed two of members of Pussy Riot, Maria "Masha" Alyokhina and Nadezhda "Nadia" Tolokonnikova, on the stage of the “Bringing Human Rights Home!” Concert presented by Amnesty International and CBGB at the Barclays Center in Brooklyn. The Russian feminist punk musicians, jailed in 2012 for criticizing Russian president Vladimir Putin at a performance in Moscow's Christ the Savior Cathedral, stated "We are happy to support Amnesty International's work on behalf of human rights and political prisoners. We, more than anyone, understand how important Amnesty's work is in connecting activists to prisoners." At first glance, the collaboration of punk activists with the non-governmental human rights organization Amnesty International regarding political prisoners does not seem surprising. Nevertheless, this interpretation would be oversimplifying the issue at hand, gilding the highly controversial interplay between anti-establishment, anti-capitalist, sometimes nihilistic punk ethics and an institutionalized, public (mostly Western) discourse on human rights.
This tension between certain punk ethics such as anti-establishment, non-conformity, anti-capitalism, the Do-It-Yourself (DIY) approach and its increasing advocacy for human rights and against human rights violations fascinates me enormously. In my Ph.D. project, I aim at studying when, why and especially how punk scenes participated in/or challenged (the discourse on) human rights. The timeframe of my study encompasses the beginning of punk in the US and the UK in the mid-1970s and its evolution, (dis)continuities and (re)definitions until the mid-2000s. I focus on strategies and practices of political participation by members of London’s and New York City’s punk scenes in order to explore how punk became increasingly politicized during this period. The DIY ethos of punk particularly intensified the self-identification of punks with the scene(s) and facilitated the mobilization of political resources. Since I perceive punk as a lifestyle, I am not only focusing on the music or the role of punk artists. My project addresses the strategies of political participation used by punk rock musicians, fans, show organizers, broadcasters, producers of music and film, journalists, and the practices and techniques they applied to negotiate, challenge, or promote human rights. Accordingly, punk music, the collaboration with NGOs, grassroots and social movements will be at the center of my study.
 Web report of Amnesty International on the "Bringing Human Rights Home Concert" of 2 May 2014 at Barclays Center, Brooklyn, New York, see: http://www.amnestyusa.org/Feb5Concert/, accessed 28 January 2016.
With Jessica Gienow-Hecht and Annika Estner, „Doppelte Kehrseite.“ Review of Die Ambivalenz des Guten. Menschenrechte in der Internationalen Politik seit den 1940ern, Jan Eckel. Neue Politische Literatur 60, no. 3 (2015), 491-493.
Workshops and Conferences
Forthcoming (paper accepted):
“The Politics of Punk in New York City, 1980s – 2000s.” Annual Conference of Popular Culture Association / American Culture Association (PCA/ACA), San Diego, 12-16 April 2017.
“In Defence of Our Earth” (Oi Polloi, 1990) – Punk Activism and the Environmental Dimension of Human Rights in Great Britain in the 1980s. Workshop “Défis internationaux et émergence d’un espace public en Europe depuis les années 1970.“ Atelier de clôture, German Historical Institute Paris. Paris, 9 and 10 June 2016.
“’No More Bad Future!‘ Punk, Political Participation and Human Rights.“ Workshop Nationen, Minoritäten und Menschenrechte im 20. Jahrhundert – Workshop junger WissenschaftlerInnen zur Geschichte des Politischen, Friedrich-Schiller-Universität Jena. Jena, 6-9 June 2016.
“Punk and/or Human Rights? From Anti-Establishment Ideology to an Agenda of Political Participation in New York City’s punk scene, 1970s-2000s.” Conference The United States and the Question of Rights, German Association for American Studies (DGfA). Osnabrück, 19-22 May 2016.
Summer Semester 2016:
Disciplinary Undergraduate Course:
Winter Semester 2015/2016:
Disciplinary Undergraduate Course:
„Sound(s) of the City. Music in New York City since the 1970s“