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Prof. Dr. David Getsy

David Getsy

John F. Kennedy-Institute for North American Studies

Terra Visiting Professor

Address
Lansstr. 7-9
Raum 316
14195 Berlin

Office hours

In accordance with the COVID-19 measures implemented by FU Berlin, office hours are currently suspended; please contact instructors via email.

Concurrent Position

Goldabelle McComb Distinguished Professor of Art History, School of the Art Institute of Chicago

Education

2002
Ph.D., Art History, Northwestern University

1996
M.A., Art History, Northwestern University

1995
B.A. (Hons), Art History & Cultural Philosophy, Oberlin College

Awards and Fellowships (selected)

2019
Dedalus Foundation Senior Fellowship

2017
Distinguished Visiting Fellowship, School of English and Drama, Queen Mary University of London

2017
Honorary Visiting Professor of History of Art, University of York

2015, 2018
Research Grant, Graham Foundation for Advanced Studies in the Fine Arts

2012
Clark Fellowship, Sterling and Francine Clark Art Institute

2009-2010
Ailsa Mellon Bruce Senior Fellowship, Center for Advanced Study in the Visual Arts, U.S. National Gallery of Art

2008
Research Fellowship, William Andrews Clark Memorial Library and Center for Seventeenth- and Eighteenth-Century Studies, University of California Los Angeles

2004-2005
J. Paul Getty Postdoctoral Fellowship, Getty Foundation, 2004-2005 (in residence at Harvard University, Department of History of Art and Architecture)

2002-2004
Andrew W. Mellon Postdoctoral Fellowship, Leslie Center for the Humanities, Dartmouth College

2002
Postdoctoral Fellowship, Paul Mellon Centre for Studies in British Art, 2002

2000-2002
Samuel H. Kress Foundation Fellowship in the History of Art, held at Courtauld Institute of Art, University of London

Other Professional Experience

2018-2019: Interim Director, Master of Fine Arts Program (Low-Residency), School of the Art Institute of Chicago

2015-2016: Interim Dean of Graduate Studies, School of the Art Institute of Chicago

2013-2015: Chair, Department of Art History, Theory, and Criticism, School of the Art Institute of Chicago

2013-2015: Chair of the Editorial Board, The Art Bulletin

2019-present: Board of Directors, Fire Island Artist Residency

2018-present: Board of Directors, OTV: Open Television

2017-present: Board of Directors, Historians of British Art

Academic Memberships

College Art Association

Association for the Study of the Arts of the Present

Association of Historians of American Art

Queer Caucus for Art

Research interests

Queer Studies; Transgender Studies; Art and performance in the U.S. since 1950; Nineteenth-century British and French art; Sculpture Studies; Performance Studies; Game Studies

Current projects

Queer Behavior: Scott Burton’s Performances of the 1970s (forthcoming)

Rubbish and Dreams: The Genderqueer Performance Art of Stephen Varble in 1970s New York

Performance in the Proximity of Stonewall, 1968-1973

Public talks in 2020-2021

  • “Viral Sites: Scott Burton’s Sculpture, Undetectability, and Public Art in the First Decade of the AIDS Crisis,” John F. Kennedy Institute for North American Studies, Freie Universität, Berlin, January 2021
  • “Reduction as Expansion: The Queer Capacities of Abstract Art,” Institute for Cultural Inquiry, Berlin, 7 December 2020
  • “Genitals and Other Accessories: Genderqueer Exposure in Stephen Varble’s Costume Performances in 1975,” for “Ambivalent Work*s: Queer Perspectives and Art History,” Kunsthistorisches Institut, Universtät Zürich, 4-5 December 2020
  • “Enduring Out: Geoffrey Hendricks’s Ring Piece and the Ambivalence of Queer Visibility in 1971,” Department of Art History, Theory, and Criticism, School of the Art Institute of Chicago, 24 September 2020

Selected recent lectures before 2020-2021

  • “At Home with Ethel Dull: Thomas Lanigan-Schmidt, 1960s Street Culture, and Queer Value,” College Art Association 108th Annual Conference, Chicago, 13 February 2020
  • “The Possibility of Queer Abstraction,” Des Moines Art Institute, 6 June 2019
  • Participant and moderator, “Considering Forms: Transgender and Genderqueer Artistic Strategies,” Future Genders, the 2018 Max Wasserman Forum on Contemporary Art, The MIT List Visual Arts Center, Cambridge, 10 November 2018
  • “Stephen Varble’s Journey to the Sun,” Museum of Modern Art, 29 October 2018
  • Co-convenor (with Ricardo Montez), “Queer New York and Urban Performance” symposium, Department of Performance Studies, New York University, 19 October 2018
  • “‘After all, isn’t America’s garbage the most valuable in the world?’: Stephen Varble’s Gutter Art in 1970s New York,” Swiss Institute, New York, 5 July 2018
  • Roz Perry Memorial Lecture, Philadelphia Museum of Art: “Exhibiting intimacy: Rodin, sex, and modern sculpture,” 17 November 2017, Rodin Centenary Lecture for the Rodin Museum

Exhibitions curated

Rubbish and Dreams: The Genderqueer Performance Art of Stephen Varble (retrospective)
Leslie-Lohman Museum of Gay and Lesbian Art, New York, 29 September 2018–27 January 2019

The Gutter Art of Stephen Varble: Genderqueer Performance Art in the 1970s, photographs by Greg Day
Originated at ONE Archives Foundation Gallery & Museum, West Hollywood, California (1 March–17 May 2019) and traveled to The Horse Hospital, London (26 October–15 November 2019) and scheduled for Iceberg Projects, Chicago (March 2021)

Stephen Varble: An Antidote to Nature’s Ruin on this Heavenly Globe, Prints and Video from the Early 1980s
Institute 193, Lexington, Kentucky, 20 October–1 December 2018

Jared Buckhiester: Love Me Tender
Bureau of General Services—Queer Division, New York, 15 September–12 November 2017

Monographs

  • Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender (New Haven and London: Yale University Press, 2015)
  • Rodin: Sex and the Making of Modern Sculpture (New Haven and London: Yale University Press, 2010)
  • Body Doubles: Sculpture in Britain, 1877–1905 (New Haven and London: Yale University Press and the Paul Mellon Centre for Studies in British Art, 2004) 

Edited books

  • Queer, Whitechapel Gallery Documents of Contemporary Art (Cambridge, Massachusetts: The MIT Press, February 2016)
  • Scott Burton: Collected Writings on Art and Performance, 1965–1975 (Chicago: Soberscove Press, 2012)
  • From Diversion to Subversion: Games, Play, and Twentieth-Century Art (University Park, Pennsylvania: Pennsylvania State University Press, 2011)
  • Sculpture and the Pursuit of a Modern Ideal in Britain, c.1880–1930 (Aldershot: Ashgate, 2004)

Edited special issue of peer-review journals

  • (Co-editor with Julian B. Carter and Trish Salah) “Trans Cultural Production,” special issue of TSQ: Transgender Studies Quarterly 1, no. 4 (November 2014).

Articles and essays (selected, since 2013 only)

  • “Outing Queer Fluxus: Geoffrey Hendricks in Conversation with David J. Getsy,” PAJ: A Journal of Performance and Art (forthcoming Winter 2020).
  • “Unrequited Love: The Melodrama of Adam Milner’s Illegitimate Affections at the Clyfford Still Museum,” in Adam Milner, Museum of the Invisible Woman and Other Essays and Actions (Denver: Clyfford Still Museum, forthcoming December 2020).
  • “Multiple Exposures: Sean Fader’s #wishingpelt and Humor in Social Media Performance,” ASAP/Journal 5.3; special issue on “Humor,” ed. Jonathan Eburne (Fall 2020): 515-20.
  • “Lynda Benglis, Untitled (Beyond Barnett Newman), 1966-67,” in Matthew S. Witkovsky, ed., Material Meanings: Selections from the Constance R. Caplan Collection, exh. cat. (Chicago: Art Institute of Chicago, 2020), 38-41.
  • "Ten Queer Theses on Abstraction," in Jared Ledesma, ed., Queer Abstraction (Des Moines: Des Moines Art Center, 2019), 65-75.
  • "Scott Burton, Two-Part Chair, 1986," in Jonathan Weinberg et al., eds., Art after Stonewall, 1969-1989, exh. cat. (Columbus: Columbus Museum of Art, 2019), 132-33.
  • "Queer Figurations in the Sculpture of Elmgreen & Dragset," in Leigh Arnold, ed., Elmgreen & Dragset: Sculpture (Dallas: Nasher Sculpture Center, 2019), 154-94.
  • “Intimacy, Unknowing, and Discovery: David Getsy in Conversation with Christina Quarles,” in Andrew Bonacina, ed., Christina Quarles, exh. cat. (Wakefield: Hepworth Wakefield, 2019), 31-40.
  • "Honcho," in Amelia Jones and Andy Campbell, eds., Queer Communion: Ron Athey (Bristol: Intellect Books, 2019), 330-32.
  • [interview] “A New Exhibition Resurrects One of New York’s Most Subversive Queer Performance Artists, David J. Getsy interviewed by Emily Colucci,” THEM magazine (3 October 2018, online at https://www.them.us/story/stephen-varble-exhibition )
  • "A Sight to Withhold: David J. Getsy on Cassils," Artforum (February 2018): 57-60.
  • "Abstract Bodies and Otherwise: A Conversation with Amelia Jones and David Getsy on Gender and Sexuality in the Writing of Art History," CAAreviews (posted 16 February 2018: http://www.caareviews.org/reviews/3426).
  • “Queer Intolerability and Its Attachments” [introduction to Queer, 2016] translated into Chinese for 數位荒原 [No Man’s Land] no.36 (March 2018).
  • Response to Alexander Nemerov's "Art is not the Archive," Archives of American Art Journal 57.2 (Fall 2018): 71-72.
  • "Queer Relations," in ASAP/Journal 2.2; special issue on "Queer Form," eds. Kadji Amin, Amber Jamilla Musser, and Roy Pérez (May 2017): 254-57.
  • "Slava Mogutin, Infiltrator," in Slava Mogutin, Bros & Brosephines (Brooklyn: powerHouse Books, 2017), 88-95.
  • "Exalting the Unremarkable: Van Gogh's Poet's Garden and Gauguin's Bedroom" in Gloria Groom, ed., Van Gogh's Bedrooms, exh. cat., Art Institute of Chicago (New Haven and London: Yale University Press, 2016), 36-49.
  • "Appearing Differently: Abstraction's Transgender and Queer Capacities," interview by William Simmons, in C. Erharter, D. Schwärzler, R. Sicar, and H. Scheirl, eds., Pink Labor on Golden Streets: Queer Art Practices (Berlin: Sternberg Press, 2015), 38-55.
  • "The Image of Becoming: Cassils's Allegories of Transformation," Cassils, exh. cat. (Eindhoven: MU Eindhoven, 2015), 10-22.
  • "Catherine Opie, Portraiture, and the Decoy of the Iconographic," in Confronting the Abject, William & Stephanie Sick Distinguished Professorship Monograph Series, no. 3: Catherine Opie (Chicago: School of the Art Institute of Chicago, 2015), 15-37.
  • "Laying it Down: Heroic Reclining Men and Other Tactical Inversions," in Eugenie Tsai and Rujeko Hockley, eds., Kehinde Wiley: A New Republic, exh. cat. (Brooklyn: Brooklyn Museum of Art, 2015), 94-99.
  • "Acts of Stillness: Statues, Performativity, and Passive Resistance," Criticism 56.1 (2014):1-20.
  • "Capacity," in "Postposttransexual: Key Concepts for a Twenty-First-Century Transgender Studies," special issue of TSQ: Transgender Studies Quarterly 1.1-2 (May 2014): 47-49.
  • "Queer Exercises: Amber Hawk Swanson's Performances of Self-Realization," GLQ 19.4 (Fall 2013): 465-85.
  • "Queer Formalisms: Jennifer Doyle and David Getsy in Conversation," Art Journal 72.4 (Winter 2013): 58-71. Republished online by Art Journal Open at http://artjournal.collegeart.org/?p=4468

 

[for PDFs and complete list of publications, see http://davidgetsy.com]