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Terra Lectures at JFKI

“Artist vs. Art Historian: Grant Wood, H.W. Janson, and the ‘Case of the Naked Chicken‘”

“Artist vs. Art Historian: Grant Wood, H.W. Janson, and the ‘Case of the Naked Chicken‘”

  • Julia B. Rosenbaum (Bard College):
What Means This Carnage?’: Civil War Soldiers’ Bodies and the Army Medical Museum (28 June 2023)
  • JoAnne Mancini (Maynooth University):
Counter-Friction and Artistic Freedom (June 1, 2022) 
  • David Getsy (School of the Art Institute of Chicago):
Enduring out: Geoffrey Hendricks’s Ring Piece and the Ambivalence of Queer Visibility in 1971 (June 8, 2021) 
  • Joshua Shannon (University of Maryland):

The Future is a Rectangle: Modernist University Architecture and the Human Being (January 29, 2020)
  • Laura Katzman (James Madison University):
Mining the Archive: Photography, Modernity, and the Office of Information for Puerto Rico (April 10, 2019)
The Documentary Aesthetic in New Deal American Art (January 17, 2019)
  • Lauren Kroiz (UC Berkeley):   
Artist vs. Art Historian: Grant Wood, H.W. Janson, and the ‘Case of the Naked Chicken‘ Perspectives on American Literature and Culture: Summer Research Colloquium of the JFKI Literature and Culture Departments. (May 2, 2018) 
Leaving the Body: The Empty Spaces of American Modernism  (January 10, 2018)
  • Allison Stagg (TU Berlin):
Selling Humor in Early America: the Market for Political Caricture Prints, 1789-1820 (November 16, 2016) 
  • Heather Diack (University of Miami):
Second Degree Burn: Material Realities in American Photography (June 8, 2016)
  • Michele Bogart (Stony Brook):
New York's Public Sculpture and Patronage in the Era from 'Cold War' to 'Culture Wars'  (June 17, 2015)
  • Michael Schreyach  (Trinity University):
Perceiving and Interpreting Abstract Expressionist Paintings (November 28, 2014)
  • Kenneth Haltman (University of Oklahoma):
René Brimo and L’Évolution du goût aux États-Unis, d’après l’histoire des collections (May 21, 2014)
  • Andrew Hemingway (University College of London):
Picturing the People in New Deal Illinois: Popular Front Murals in the Decatur Post Office (November 27, 2013)
  • Patricia Schulze Hills (Boston University):
The Double Consciousness of Masks, Masking, and Minstrelsy in the Works of Jacob Lawrence and Other African American Artists (June 6, 2013)
  • Vivien Green Fryd (Vanderbilt University):
The Sixties in American Art History: Media Expansion and Experimentation (November 14, 2012)
  • Angela Miller (Washington University, St. Louis):
Resisting Belonging: Kenneth Burke, Gerald Murphy, and Homeless Modernism Between the Wars (June 21, 2012)
  • Katherine Manthorne (City University of New York Graduate Center):
"You Ought to be in Pictures": Movies & American Modernism (December 8, 2011)
  • Jochen Wierich (Cheekwood Botanical Garden and Museum of Art, Nashville):
Against the Current: Washington Crossing the Delaware and Transatlantic Exchange (May 12, 2011)
  • Alan Wallach (College of William and Mary):
Histories of American Art (winter semester 2010)
  • David Lubin (Wake Forrest University):
Cosmetic Surgery and Art History (summer semester 2010)
  • Joshua Shannon (University of Maryland):
Late Modernism in the Desert, 1970 (winter semester 2009)